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Coming Soon
5 days away
FanimeCon is one of the oldest and largest anime conventions in the United States, running every Memorial Day weekend since 1994 at the San Jose Convention Center. It draws 25,000-30,000 attendees over four days and is the flagship event for the West Coast anime community. Unlike larger conventions, FanimeCon is entirely fan-run. No corporate booths dominating the floor. The panels, screenings, and programming are organized by volunteers who have been running this event for decades. That community ownership gives it an atmosphere that is hard to replicate. It feels less like a trade show and more like the largest anime club meetup in California. Programming runs 24 hours across the weekend. The cosplay masquerade on Saturday is a full theatrical production. The gaming hall is one of the best at any convention, running tournaments, free-play consoles, and retro arcades through the night. The dealer room and artist alley are substantial, with indie creators outnumbering corporate licensors. Bay Area, Sacramento, and Central Valley attendees make up the core, but it draws convention-goers from across the West Coast. Four-day badges sell out. Single-day passes may be available at the door. If you have been to Anime Expo but not FanimeCon, the culture is meaningfully different.
Coming Soon
28 days away
The LA Comic Book and Science Fiction Convention is the longest-running monthly pop culture convention in Los Angeles at the Shrine Auditorium. Dealer-focused and genuinely interesting for collectors. Tables with original comic art, golden and silver age books, horror movie posters, vintage paperbacks. The regulars know each other. June 14, 2026. Low admission cost.
Coming Soon
42m away
Street Food Cinema screens Ferris Bueller's Day Off under the stars at LA State Historic Park in downtown Los Angeles on Saturday, May 16, 2026. Doors open at 5:30 PM; film begins at dusk around 8:15 PM, leaving a full evening of pre-show entertainment, food, and lawn-party atmosphere before the classic 1986 John Hughes film rolls. LA State Historic Park at 1245 N Spring Street in Chinatown offers a flat lawn that fits thousands of guests. Bring low chairs or a blanket and arrive early to stake out your spot. Street Food Cinema events feature on-site food and drink vendors, DJ music before the screening, and a festival-style crowd that makes even familiar films feel communal. Ferris Bueller's Day Off follows the iconic Chicago skip day at the speed of its 1980s confidence. Watching it outdoors with a crowd amplifies every punchline. Tickets are available through the Street Food Cinema website. This event commonly sells out for warm-weather May nights, so book in advance.
Coming Soon
19h away
Grove of Anaheim, 2200 East Katella Ave. May 17th, 2026. Clue: The Movie — the 1985 farce that was a box office failure and a cult masterpiece — turning 40, with Tim Curry in attendance, at an anniversary screening that rewards everyone who has quoted this film in the wrong context for four decades. Clue is the movie that gets funnier every time. Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Eileen Brennan, Lesley Ann Warren, and Tim Curry in the role he was specifically built to play — the pace is machine-gun, the performances committed to a joke level that shouldn't work and absolutely does, and the three-ending structure remains the most ambitious thing a studio comedy tried in the 1980s. Seeing it in a room with people who love it is the correct version of Clue. Tim Curry appearing for the anniversary turns this into something different from a revival screening. Tickets at ticketmaster.com. May 17th. The Grove of Anaheim holds this well. Come knowing the lines — the audience participation at a Clue screening is part of the film. "Flames. Flames, on the side of my face." You know the rest. The 40th anniversary is the occasion this film has always deserved.
Coming Soon
4 days away
The Belasco, 1050 South Hill St, Los Angeles. May 21st. KCRW presents Dry Cleaning — the South London post-punk band whose vocalist Florence Shaw delivers spoken word over three musicians who build the kind of dry, anxious, deadpan rock that sounds like nothing else being made right now — at the Downtown LA venue that handles this audience correctly. Dry Cleaning is the band that makes you lean in. Shaw's delivery is conversational in a way that rewards attention — the non-sequiturs connect when you're paying close enough, and the three musicians underneath are doing something structurally interesting enough that the floor of the Belasco is the right place to hear what it actually is. KCRW programming it is the endorsement from the station that has been making these calls correctly for decades. Tickets at ticketmaster.com. May 21st in Downtown Los Angeles. This tour moved from the Wiltern — the Belasco is the more intimate version of that same crowd in the right room. Get your ticket before the floor goes. KCRW shows sell on the credibility of the programming, and this one is the real thing.
Coming Soon
5 days away
Queen Bee's Art & Cultural Center hosts a bi-monthly open mic on the 1st and 3rd Thursdays of each month at 8 PM — San Diego's most genuinely community-driven open mic, covering music, comedy, poetry, spoken word, and whatever else someone brings to a room that takes all of it seriously. Queen Bee's is a community arts space in North Park, not a bar with a side open mic. The difference matters: the crowd shows up for the performers rather than the other way around, which means the open mic has a different energy than most. People who have never performed in front of an audience have done their first set here. People who perform regularly keep coming back because the room is honest. The format is simple: sign up before the show, get your five to seven minutes, be respectful of the other performers. The genres are genuinely mixed — a singer-songwriter might follow a stand-up comedian who follows a slam poet. The quality varies, which is the point. Some of the best sets come from people who do not look like they are about to do something remarkable. Queen Bee's Art & Cultural Center, 3925 Ohio St, San Diego, CA 92104. North Park neighborhood. The 1st and 3rd Thursday of each month at 8 PM. Low or no cover. Street parking on Ohio St and surrounding North Park streets. Check openmicsandiego.com or Queen Bee's social media for same-night confirmation.
Coming Soon
6 days away
Thousand Oaks, May 23rd. The Scherr Forum at the Bank of America Performing Arts Center becomes a film festival for one evening — the YALA Film Festival, brought by TOArts to a venue with the acoustics and sightlines to make cinema feel like the event it was always meant to be. Film festivals at proper performing arts venues operate differently than multiplex screenings. The room holds the sound the way it was designed to. The audience assembles with intention — these are not passive ticket-buyers, they are people who chose a festival over a regular movie night. The programming at YALA is curated with a specific editorial eye, which means the films that appear here have been selected for a reason. The conversation that surrounds a festival screening turns two hours of film into an evening. Tickets at ticketmaster.com — lock your seats before the event fills. The Scherr Forum is a legitimate performing arts venue, built for this kind of experience. A film festival at a real theater is the version of moviegoing that reminds you why cinemas exist: the collective attention, the shared reaction, the walk out afterward when everyone is still inside what they just watched. Don't miss it — ticket availability is limited at a venue this size.
Coming Soon
6 days away
Hollywood Bowl, May 23rd, 2026. Bright Eyes — Conor Oberst, performing the complete "I'm Wide Awake, It's Morning" and "Digital Ash in a Digital Urn" twenty-one years after those albums were released in the same week and changed the conversation about what indie rock and folk-rock could do simultaneously. Both albums exist in the specific memory of the person who heard them at seventeen in a way that almost nothing else from that era does. The writing was too specific, too exposed, too unlikely to have come from anywhere but the actual interior of a person living through exactly what the songs described. Twenty-one years later, those people are in their late thirties, and the Hollywood Bowl is where this reckoning happens. The Hollywood Bowl is the right venue. The outdoor amphitheater, the Los Angeles evening, the hills behind the shell — the setting earns both albums at full size. Tickets at ticketmaster.com. The lawn is the social option; the reserved sections are the full theatrical experience. Either way, "Lua" performed live at the Hollywood Bowl in 2026 is not the same song it was in 2005, and hearing it in a room full of people for whom that's true is the only way to find out what it became.
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