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The curation is the product. Union Park, Chicago. Three days of Pitchfork making its argument about which artists matter.
The curation is the product. That has been true since 2006, when Pitchfork started programming a festival the same way it programs a review — with a position about which artists matter. Three days at Union Park in Chicago each July: career-defining retrospective sets, reunions, debuts from artists who would otherwise play clubs. Union Park is a city park, not a field miles from anything, which means the festival experience is woven directly into Chicago. Three stages are positioned close together and easy to navigate — you can catch the end of one set and make it to another stage for the opening notes without running. The crowd is music-literate …
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