Aug 8,2026
Head In The Clouds Festival 2026 — Pasadena
You get homesick for a room you did not know existed. Somewhere between the bass drop and the third bowl of pho it lands on you: this place was built for people who spent years being the only one in every other room.
Katseye headline a lineup that reads like the group chat your coolest friend curates. XG bring razor-sharp choreography out of Japan, Rich Brian delivers the bars that put Jakarta on the map, UMI turns the sunset into a lullaby, and Dabin.kr reminds everyone Korean R&B did not begin with the algorithm. Food threads through the art installations. The merch drops are gone by mid-afternoon.
One day on a wide field under the San Gabriel Mountains in Pasadena, gates at midday, music until dark. It is all ages, which matters, because the crowd runs three generations of the same family: grandparents who remember when none of this existed, parents who fought for it, and kids who assume it always did.
You get homesick for a room you did not know existed. Somewhere between the bass drop and the third bowl of pho it lands on you: this place was built for people who spent years being the only one in every other room.
Katseye headline a lineup that reads like the group chat your coolest friend curates. XG bring razor-sharp choreography out of Japan, Rich Brian delivers the bars that put Jakarta on the map, UMI turns the sunset into a lullaby, and Dabin.kr reminds everyone Korean R&B did not begin with the algorithm. Food threads through the art installations. The merch drops are gone by mid-afternoon.
One day on a wide field under the San Gabriel Mountains in Pasadena, gates at midday, music until dark. It is all ages, which matters, because the crowd runs three generations of the same family: grandparents who remember when none of this existed, parents who fought for it, and kids who assume it always did.
Katseye headline a lineup that reads like the group chat your coolest friend curates. XG bring razor-sharp choreography out of Japan, Rich Brian delivers the bars that put Jakarta on the map, UMI turns the sunset into a lullaby, and Dabin.kr reminds everyone Korean R&B did not begin with the algorithm. Food threads through the art installations. The merch drops are gone by mid-afternoon.
One day on a wide field under the San Gabriel Mountains in Pasadena, gates at midday, music until dark. It is all ages, which matters, because the crowd runs three generations of the same family: grandparents who remember when none of this existed, parents who fought for it, and kids who assume it always did.
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Head In The Clouds Festival 2026 — Pasadena
Saturday, August 8, 2026
1:00 PM PDT – 11:00 PM PDT
$179+
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What it was like
You get homesick for a room you did not know existed. Somewhere between the bass drop and the third bowl of pho it lands on you: this place was built for people who spent years being the only one in every other room.
Katseye headline a lineup that reads like the group chat your coolest friend curates. XG bring razor-sharp choreography out of Japan, Rich Brian delivers the bars that put Jakarta on the map, UMI turns the sunset into a lullaby, and Dabin.kr reminds everyone Korean R&B did not begin with the algorithm. Food threads through the art installations. The merch drops are gone by mid-afternoon.
One day on a wide field under the San Gabriel Mountains in Pasadena, gates at midday, music until dark. It is all ages, which matters, because the crowd runs three generations of the same family: grandparents who remember when none of this existed, parents who fought for it, and kids who assume it always did.
Katseye headline a lineup that reads like the group chat your coolest friend curates. XG bring razor-sharp choreography out of Japan, Rich Brian delivers the bars that put Jakarta on the map, UMI turns the sunset into a lullaby, and Dabin.kr reminds everyone Korean R&B did not begin with the algorithm. Food threads through the art installations. The merch drops are gone by mid-afternoon.
One day on a wide field under the San Gabriel Mountains in Pasadena, gates at midday, music until dark. It is all ages, which matters, because the crowd runs three generations of the same family: grandparents who remember when none of this existed, parents who fought for it, and kids who assume it always did.
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