The banjo came back. Not the Nashville kind — the kind that once made a hundred thousand festival-goers stomp mud through their shoes and feel like they were part of something that had no name. Mumford & Sons spent the 2010s turning folk-rock into a generational experience and then went quiet just long enough for you to forget how much you needed it. The Prizefighter Tour is the return, and the Kia Forum in Inglewood is where the North American run ends — two nights, October 6th and 7th, and this is night one.
Sierra Ferrell opens, which tells you everything about where the night is going: earthy, unpolished, the kind of music that does not need a screen to land. The Forum holds seventeen thousand and it will feel like seventeen. Marcus Mumford has been through the kind of decade that turns good songwriters into something else entirely — the voice is deeper, the songs are heavier, and the room knows it before the first note.
If there is someone in your life you used to listen to Sigh No More with — in a car, on a road trip, in a dorm room that smelled like coffee and ambition — send them this. Doors at 7:30 PM. Tickets on Ticketmaster. The cheap seats at the Forum are underrated.
The banjo came back. Not the Nashville kind — the kind that once made a hundred thousand festival-goers stomp mud through their shoes and feel like they were part of something that had no name. Mumford & Sons spent the 2010s turning folk-rock into a generational experience and then went quiet just long enough for you to forget how much you needed it. The Prizefighter Tour is the return, and the Kia Forum in Inglewood is where the North American run ends — two nights, October 6th and 7th, and this is night one.
Sierra Ferrell opens, which tells you everything about where the night is going: earthy, unpolished, the kind of music that does not need a screen to land. The Forum holds seventeen thousand and it will feel like seventeen. Marcus Mumford has been through the kind of decade that turns good songwriters into something else entirely — the voice is deeper, the songs are heavier, and the room knows it before the first note.
If there is someone in your life you used to listen to Sigh No More with — in a car, on a road trip, in a dorm room that smelled like coffee and ambition — send them this. Doors at 7:30 PM. Tickets on Ticketmaster. The cheap seats at the Forum are underrated.
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The banjo came back. Not the Nashville kind — the kind that once made a hundred thousand festival-goers stomp mud through their shoes and feel like they were part of something that had no name. Mumford & Sons spent the 2010s turning folk-rock into a generational experience and then went quiet just long enough for you to forget how much you needed it. The Prizefighter Tour is the return, and the Kia Forum in Inglewood is where the North American run ends — two nights, October 6th and 7th, and this is night one.
Sierra Ferrell opens, which tells you everything about where the night is going: earthy, unpolished, the kind of music that does not need a screen to land. The Forum holds seventeen thousand and it will feel like seventeen. Marcus Mumford has been through the kind of decade that turns good songwriters into something else entirely — the voice is deeper, the songs are heavier, and the room knows it before the first note.
If there is someone in your life you used to listen to Sigh No More with — in a car, on a road trip, in a dorm room that smelled like coffee and ambition — send them this. Doors at 7:30 PM. Tickets on Ticketmaster. The cheap seats at the Forum are underrated.