Sat, Oct 3
Sherelle, Todd Edwards, Danny Daze, Mia Koden, bahar khadem
Occasionally a lineup is assembled by somebody who is clearly showing off, and the correct response is gratitude. Four names that would each headline their own night, stacked on one bill in a Silver Lake room that holds a few hundred people.
Todd Edwards is the reason a whole strand of dance music sounds the way it does — his chopped-vocal technique was lifted wholesale by Daft Punk, who then hired him, and UK garage was effectively built on top of what he worked out alone in New Jersey. Sherelle plays at 160 beats per minute and upward, jungle and footwork at a speed that reorganizes a room. Danny Daze comes from Miami electro. Putting them in sequence is a bet that the crowd can follow.
Doors at ten on Saturday the third; the room does not really start until midnight and does not stop until four.
Occasionally a lineup is assembled by somebody who is clearly showing off, and the correct response is gratitude. Four names that would each headline their own night, stacked on one bill in a Silver Lake room that holds a few hundred people.
Todd Edwards is the reason a whole strand of dance music sounds the way it does — his chopped-vocal technique was lifted wholesale by Daft Punk, who then hired him, and UK garage was effectively built on top of what he worked out alone in New Jersey. Sherelle plays at 160 beats per minute and upward, jungle and footwork at a speed that reorganizes a room. Danny Daze comes from Miami electro. Putting them in sequence is a bet that the crowd can follow.
Doors at ten on Saturday the third; the room does not really start until midnight and does not stop until four.
Todd Edwards is the reason a whole strand of dance music sounds the way it does — his chopped-vocal technique was lifted wholesale by Daft Punk, who then hired him, and UK garage was effectively built on top of what he worked out alone in New Jersey. Sherelle plays at 160 beats per minute and upward, jungle and footwork at a speed that reorganizes a room. Danny Daze comes from Miami electro. Putting them in sequence is a bet that the crowd can follow.
Doors at ten on Saturday the third; the room does not really start until midnight and does not stop until four.
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Sherelle, Todd Edwards, Danny Daze, Mia Koden, bahar khadem
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Sat, Oct 3 – Sun, Oct 4, 2026
Sat 10:00 PM PDT – Sun 1:00 AM PDT
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Occasionally a lineup is assembled by somebody who is clearly showing off, and the correct response is gratitude. Four names that would each headline their own night, stacked on one bill in a Silver Lake room that holds a few hundred people.
Todd Edwards is the reason a whole strand of dance music sounds the way it does — his chopped-vocal technique was lifted wholesale by Daft Punk, who then hired him, and UK garage was effectively built on top of what he worked out alone in New Jersey. Sherelle plays at 160 beats per minute and upward, jungle and footwork at a speed that reorganizes a room. Danny Daze comes from Miami electro. Putting them in sequence is a bet that the crowd can follow.
Doors at ten on Saturday the third; the room does not really start until midnight and does not stop until four.
Todd Edwards is the reason a whole strand of dance music sounds the way it does — his chopped-vocal technique was lifted wholesale by Daft Punk, who then hired him, and UK garage was effectively built on top of what he worked out alone in New Jersey. Sherelle plays at 160 beats per minute and upward, jungle and footwork at a speed that reorganizes a room. Danny Daze comes from Miami electro. Putting them in sequence is a bet that the crowd can follow.
Doors at ten on Saturday the third; the room does not really start until midnight and does not stop until four.
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