Sat, Oct 3
Brian Fallon & The Painkillers, Tim Barry
A four in the afternoon rock show sounds like a mistake until you have been to one.
The light is wrong in the best way. Nobody is drunk yet. The people who came are the people who wanted it badly enough to give up a Saturday afternoon, which means the room is full of the version of a crowd that actually listens. Brian Fallon has spent a career writing about people in cars at night, and hearing those songs while it is still bright outside does something strange and good to them.
He is the voice of The Gaslight Anthem, and the solo records are the same preoccupations with the amps turned down enough that you can hear the words — Jersey, radio, somebody's older brother, a girl whose name is also a song title. Tim Barry opens, which is its own reason to come: former Avail, now writing the plainest and most devastating folk songs going.
The matinee and the evening show run different setlists. Regulars do both. If you only do one, the early show is the one where he talks more.
Four in the afternoon, Saturday the third of October, 2501 Kettner Blvd.
A four in the afternoon rock show sounds like a mistake until you have been to one.
The light is wrong in the best way. Nobody is drunk yet. The people who came are the people who wanted it badly enough to give up a Saturday afternoon, which means the room is full of the version of a crowd that actually listens. Brian Fallon has spent a career writing about people in cars at night, and hearing those songs while it is still bright outside does something strange and good to them.
He is the voice of The Gaslight Anthem, and the solo records are the same preoccupations with the amps turned down enough that you can hear the words — Jersey, radio, somebody's older brother, a girl whose name is also a song title. Tim Barry opens, which is its own reason to come: former Avail, now writing the plainest and most devastating folk songs going.
The matinee and the evening show run different setlists. Regulars do both. If you only do one, the early show is the one where he talks more.
Four in the afternoon, Saturday the third of October, 2501 Kettner Blvd.
The light is wrong in the best way. Nobody is drunk yet. The people who came are the people who wanted it badly enough to give up a Saturday afternoon, which means the room is full of the version of a crowd that actually listens. Brian Fallon has spent a career writing about people in cars at night, and hearing those songs while it is still bright outside does something strange and good to them.
He is the voice of The Gaslight Anthem, and the solo records are the same preoccupations with the amps turned down enough that you can hear the words — Jersey, radio, somebody's older brother, a girl whose name is also a song title. Tim Barry opens, which is its own reason to come: former Avail, now writing the plainest and most devastating folk songs going.
The matinee and the evening show run different setlists. Regulars do both. If you only do one, the early show is the one where he talks more.
Four in the afternoon, Saturday the third of October, 2501 Kettner Blvd.
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Brian Fallon & The Painkillers, Tim Barry
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Saturday, October 3, 2026
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A four in the afternoon rock show sounds like a mistake until you have been to one.
The light is wrong in the best way. Nobody is drunk yet. The people who came are the people who wanted it badly enough to give up a Saturday afternoon, which means the room is full of the version of a crowd that actually listens. Brian Fallon has spent a career writing about people in cars at night, and hearing those songs while it is still bright outside does something strange and good to them.
He is the voice of The Gaslight Anthem, and the solo records are the same preoccupations with the amps turned down enough that you can hear the words — Jersey, radio, somebody's older brother, a girl whose name is also a song title. Tim Barry opens, which is its own reason to come: former Avail, now writing the plainest and most devastating folk songs going.
The matinee and the evening show run different setlists. Regulars do both. If you only do one, the early show is the one where he talks more.
Four in the afternoon, Saturday the third of October, 2501 Kettner Blvd.
The light is wrong in the best way. Nobody is drunk yet. The people who came are the people who wanted it badly enough to give up a Saturday afternoon, which means the room is full of the version of a crowd that actually listens. Brian Fallon has spent a career writing about people in cars at night, and hearing those songs while it is still bright outside does something strange and good to them.
He is the voice of The Gaslight Anthem, and the solo records are the same preoccupations with the amps turned down enough that you can hear the words — Jersey, radio, somebody's older brother, a girl whose name is also a song title. Tim Barry opens, which is its own reason to come: former Avail, now writing the plainest and most devastating folk songs going.
The matinee and the evening show run different setlists. Regulars do both. If you only do one, the early show is the one where he talks more.
Four in the afternoon, Saturday the third of October, 2501 Kettner Blvd.
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