Fri, Oct 16
TAKE3
Classical training tends to produce players who can do anything and are permitted to do one thing, which is why the musicians who defect from it are often the most interesting people in a room. This trio — violin, cello, piano — plays with conservatory technique and a setlist that refuses to stay in its lane, moving between the repertoire they were raised on and arrangements of rock and pop that are genuinely reworked rather than politely quoted. The cellist and violinist attack their instruments harder than the seating chart suggests. It works on people who think they do not like classical music and on people who do, which is a narrow needle to thread. Music at 7:00 PM in Ventura on East Thompson Boulevard, an early start for a Friday. Chamber players who tour rooms like this are building an audience one town at a time, and you can feel the room deciding to be part of that.
Classical training tends to produce players who can do anything and are permitted to do one thing, which is why the musicians who defect from it are often the most interesting people in a room. This trio — violin, cello, piano — plays with conservatory technique and a setlist that refuses to stay in its lane, moving between the repertoire they were raised on and arrangements of rock and pop that are genuinely reworked rather than politely quoted. The cellist and violinist attack their instruments harder than the seating chart suggests. It works on people who think they do not like classical music and on people who do, which is a narrow needle to thread. Music at 7:00 PM in Ventura on East Thompson Boulevard, an early start for a Friday. Chamber players who tour rooms like this are building an audience one town at a time, and you can feel the room deciding to be part of that.
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Friday, October 16, 2026
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Classical training tends to produce players who can do anything and are permitted to do one thing, which is why the musicians who defect from it are often the most interesting people in a room. This trio — violin, cello, piano — plays with conservatory technique and a setlist that refuses to stay in its lane, moving between the repertoire they were raised on and arrangements of rock and pop that are genuinely reworked rather than politely quoted. The cellist and violinist attack their instruments harder than the seating chart suggests. It works on people who think they do not like classical music and on people who do, which is a narrow needle to thread. Music at 7:00 PM in Ventura on East Thompson Boulevard, an early start for a Friday. Chamber players who tour rooms like this are building an audience one town at a time, and you can feel the room deciding to be part of that.
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