Recording an album inside a grain silo, an abandoned church, or a nineteenth-century opera house is the kind of decision that sounds precious until you hear what the rooms did to the sound. This Canadian band has spent twenty years choosing buildings the way other people choose producers, and the results are records where the reverb is a real physical space rather than a plugin. Live that quality does not entirely transfer, so what you get instead is the songwriting stripped bare, which turns out to hold. The singer's voice is the fragile-sounding kind that never actually cracks. A Monday in an upstairs Masonic hall in Highland Park, with wood floors and high ceilings and a room that will go quiet, is about as close to the recording conditions as a tour can get. Music at 8:00 PM at 104 N Avenue 56. Monday audiences self-select down to the people who really meant it, which suits this music exactly.
Recording an album inside a grain silo, an abandoned church, or a nineteenth-century opera house is the kind of decision that sounds precious until you hear what the rooms did to the sound. This Canadian band has spent twenty years choosing buildings the way other people choose producers, and the results are records where the reverb is a real physical space rather than a plugin. Live that quality does not entirely transfer, so what you get instead is the songwriting stripped bare, which turns out to hold. The singer's voice is the fragile-sounding kind that never actually cracks. A Monday in an upstairs Masonic hall in Highland Park, with wood floors and high ceilings and a room that will go quiet, is about as close to the recording conditions as a tour can get. Music at 8:00 PM at 104 N Avenue 56. Monday audiences self-select down to the people who really meant it, which suits this music exactly.
Recording an album inside a grain silo, an abandoned church, or a nineteenth-century opera house is the kind of decision that sounds precious until you hear what the rooms did to the sound. This Canadian band has spent twenty years choosing buildings the way other people choose producers, and the results are records where the reverb is a real physical space rather than a plugin. Live that quality does not entirely transfer, so what you get instead is the songwriting stripped bare, which turns out to hold. The singer's voice is the fragile-sounding kind that never actually cracks. A Monday in an upstairs Masonic hall in Highland Park, with wood floors and high ceilings and a room that will go quiet, is about as close to the recording conditions as a tour can get. Music at 8:00 PM at 104 N Avenue 56. Monday audiences self-select down to the people who really meant it, which suits this music exactly.