Mon, Oct 26
Funeral Home / Blue Monkey
Forty minutes of scrolling, and you land on nothing — then go to bed having seen everything and witnessed none of it. Some Mondays the only cure is a dark room shared with strangers who made the same decision you did, which is that tonight was not going to be another night of the couch.
Two Canadian horror obscurities share this bill, both out of the tax-shelter years when Ontario money chased American drive-in dollars and produced something stranger than either country intended. A funeral parlor with a basement nobody discusses. A creature picture patient enough to make you wait a long time before it shows you the thing. Neither streams anywhere worth having. Both arrive as actual 35mm prints, which is the whole point here — this is the last continuous repertory revival house in Los Angeles, and the reels are real reels.
Quentin Tarantino bought the building in December 2007 to stop it becoming something else, and has kept one promise since: double features, on film, for as long as he is around to pay for them. The tradition itself goes back to May 1978.
First feature at 7:30, second at 9:35. 7165 Beverly Boulevard.
Forty minutes of scrolling, and you land on nothing — then go to bed having seen everything and witnessed none of it. Some Mondays the only cure is a dark room shared with strangers who made the same decision you did, which is that tonight was not going to be another night of the couch.
Two Canadian horror obscurities share this bill, both out of the tax-shelter years when Ontario money chased American drive-in dollars and produced something stranger than either country intended. A funeral parlor with a basement nobody discusses. A creature picture patient enough to make you wait a long time before it shows you the thing. Neither streams anywhere worth having. Both arrive as actual 35mm prints, which is the whole point here — this is the last continuous repertory revival house in Los Angeles, and the reels are real reels.
Quentin Tarantino bought the building in December 2007 to stop it becoming something else, and has kept one promise since: double features, on film, for as long as he is around to pay for them. The tradition itself goes back to May 1978.
First feature at 7:30, second at 9:35. 7165 Beverly Boulevard.
Two Canadian horror obscurities share this bill, both out of the tax-shelter years when Ontario money chased American drive-in dollars and produced something stranger than either country intended. A funeral parlor with a basement nobody discusses. A creature picture patient enough to make you wait a long time before it shows you the thing. Neither streams anywhere worth having. Both arrive as actual 35mm prints, which is the whole point here — this is the last continuous repertory revival house in Los Angeles, and the reels are real reels.
Quentin Tarantino bought the building in December 2007 to stop it becoming something else, and has kept one promise since: double features, on film, for as long as he is around to pay for them. The tradition itself goes back to May 1978.
First feature at 7:30, second at 9:35. 7165 Beverly Boulevard.
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Funeral Home / Blue Monkey
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Monday, October 26, 2026
7:30 PM PDT – 11:30 PM PDT
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Forty minutes of scrolling, and you land on nothing — then go to bed having seen everything and witnessed none of it. Some Mondays the only cure is a dark room shared with strangers who made the same decision you did, which is that tonight was not going to be another night of the couch.
Two Canadian horror obscurities share this bill, both out of the tax-shelter years when Ontario money chased American drive-in dollars and produced something stranger than either country intended. A funeral parlor with a basement nobody discusses. A creature picture patient enough to make you wait a long time before it shows you the thing. Neither streams anywhere worth having. Both arrive as actual 35mm prints, which is the whole point here — this is the last continuous repertory revival house in Los Angeles, and the reels are real reels.
Quentin Tarantino bought the building in December 2007 to stop it becoming something else, and has kept one promise since: double features, on film, for as long as he is around to pay for them. The tradition itself goes back to May 1978.
First feature at 7:30, second at 9:35. 7165 Beverly Boulevard.
Two Canadian horror obscurities share this bill, both out of the tax-shelter years when Ontario money chased American drive-in dollars and produced something stranger than either country intended. A funeral parlor with a basement nobody discusses. A creature picture patient enough to make you wait a long time before it shows you the thing. Neither streams anywhere worth having. Both arrive as actual 35mm prints, which is the whole point here — this is the last continuous repertory revival house in Los Angeles, and the reels are real reels.
Quentin Tarantino bought the building in December 2007 to stop it becoming something else, and has kept one promise since: double features, on film, for as long as he is around to pay for them. The tradition itself goes back to May 1978.
First feature at 7:30, second at 9:35. 7165 Beverly Boulevard.
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