NieR:Orchestra Concert 12026 [YoRHa] — Shrine Auditorium, Los Angeles
The songs are in a language that does not exist. The composer team built it out of what French and Gaelic and Japanese might erode into several thousand years from now, then had Emi Evans sing it, which is how you end up grieving along to music you cannot translate a single word of. People who have never touched the games cry at this anyway, and nobody has ever been able to explain that cleanly to a friend.
She is on stage for this one. So is J'Nique Nicole, the other original voice, with a full orchestra and chorus behind them and a newly narrated story cut across a screen the width of the room. This is the follow-up production to the 12024 concert, which filled halls almost entirely on word of mouth from people who could not articulate why a game about androids fighting machines in a ruined France had taken them apart so thoroughly.
Eric Roth conducts. The Shrine is the correct room for it — large enough to hold the chorus, old enough that the building itself does some of the work.
Saturday November 21, doors ahead of an 8:00 start. 665 West Jefferson Boulevard.
The songs are in a language that does not exist. The composer team built it out of what French and Gaelic and Japanese might erode into several thousand years from now, then had Emi Evans sing it, which is how you end up grieving along to music you cannot translate a single word of. People who have never touched the games cry at this anyway, and nobody has ever been able to explain that cleanly to a friend.
She is on stage for this one. So is J'Nique Nicole, the other original voice, with a full orchestra and chorus behind them and a newly narrated story cut across a screen the width of the room. This is the follow-up production to the 12024 concert, which filled halls almost entirely on word of mouth from people who could not articulate why a game about androids fighting machines in a ruined France had taken them apart so thoroughly.
Eric Roth conducts. The Shrine is the correct room for it — large enough to hold the chorus, old enough that the building itself does some of the work.
Saturday November 21, doors ahead of an 8:00 start. 665 West Jefferson Boulevard.
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The songs are in a language that does not exist. The composer team built it out of what French and Gaelic and Japanese might erode into several thousand years from now, then had Emi Evans sing it, which is how you end up grieving along to music you cannot translate a single word of. People who have never touched the games cry at this anyway, and nobody has ever been able to explain that cleanly to a friend.
She is on stage for this one. So is J'Nique Nicole, the other original voice, with a full orchestra and chorus behind them and a newly narrated story cut across a screen the width of the room. This is the follow-up production to the 12024 concert, which filled halls almost entirely on word of mouth from people who could not articulate why a game about androids fighting machines in a ruined France had taken them apart so thoroughly.
Eric Roth conducts. The Shrine is the correct room for it — large enough to hold the chorus, old enough that the building itself does some of the work.
Saturday November 21, doors ahead of an 8:00 start. 665 West Jefferson Boulevard.