Monday Evening Concerts: Canto Ostinato with Tacita Dean's FILM
Simeon ten Holt wrote a piece with no fixed length. The players decide in the room how many times to repeat each section and when to move on, so Canto Ostinato can run ninety minutes or five hours and no two performances share a shape, because the musicians are listening to the audience as closely as to each other. Four of them here, two pianos and two sets of mallets, inside a former Scottish Rite Masonic temple on Wilshire with Tacita Dean's FILM running through the space: a silent 35mm work made for a vertical screen, all grain and hand-worked frames, the opposite of a projection you can let slide past you. Repetition is the only thing either artist asks of you, and both of them mean it kindly. Tickets surface roughly a month ahead through the series and the museum. Marciano Art Foundation, 4357 Wilshire Blvd, on December 7 and again on the 14th.
Simeon ten Holt wrote a piece with no fixed length. The players decide in the room how many times to repeat each section and when to move on, so Canto Ostinato can run ninety minutes or five hours and no two performances share a shape, because the musicians are listening to the audience as closely as to each other. Four of them here, two pianos and two sets of mallets, inside a former Scottish Rite Masonic temple on Wilshire with Tacita Dean's FILM running through the space: a silent 35mm work made for a vertical screen, all grain and hand-worked frames, the opposite of a projection you can let slide past you. Repetition is the only thing either artist asks of you, and both of them mean it kindly. Tickets surface roughly a month ahead through the series and the museum. Marciano Art Foundation, 4357 Wilshire Blvd, on December 7 and again on the 14th.
Simeon ten Holt wrote a piece with no fixed length. The players decide in the room how many times to repeat each section and when to move on, so Canto Ostinato can run ninety minutes or five hours and no two performances share a shape, because the musicians are listening to the audience as closely as to each other. Four of them here, two pianos and two sets of mallets, inside a former Scottish Rite Masonic temple on Wilshire with Tacita Dean's FILM running through the space: a silent 35mm work made for a vertical screen, all grain and hand-worked frames, the opposite of a projection you can let slide past you. Repetition is the only thing either artist asks of you, and both of them mean it kindly. Tickets surface roughly a month ahead through the series and the museum. Marciano Art Foundation, 4357 Wilshire Blvd, on December 7 and again on the 14th.