Duke Dumont NYE — Reframe Studios Indoors, Los Angeles
New Year's Eve is the one night a year when going out is an obligation, and you can feel it in a room: everyone watching a clock instead of each other, waiting to perform a feeling on cue.
The times on this one are the tell. Doors at ten, last record at three. That puts midnight almost exactly in the middle of the night instead of at the end of it, so the countdown lands while the floor is already moving and then simply keeps going. Nobody has to decide what to do afterward, because there is no afterward to negotiate — just another three hours of the same room and the same people.
Duke Dumont has been making the kind of house record that sounds like relief since 'Need U (100%)', and a warehouse off Electronics Place is a far better frame for that than a ballroom with a balloon drop and a cash bar.
Reframe Studios Indoors, 4594 Electronics Place. Doors at ten — go if you would rather your midnight be a middle than a finish line.
New Year's Eve is the one night a year when going out is an obligation, and you can feel it in a room: everyone watching a clock instead of each other, waiting to perform a feeling on cue.
The times on this one are the tell. Doors at ten, last record at three. That puts midnight almost exactly in the middle of the night instead of at the end of it, so the countdown lands while the floor is already moving and then simply keeps going. Nobody has to decide what to do afterward, because there is no afterward to negotiate — just another three hours of the same room and the same people.
Duke Dumont has been making the kind of house record that sounds like relief since 'Need U (100%)', and a warehouse off Electronics Place is a far better frame for that than a ballroom with a balloon drop and a cash bar.
Reframe Studios Indoors, 4594 Electronics Place. Doors at ten — go if you would rather your midnight be a middle than a finish line.
New Year's Eve is the one night a year when going out is an obligation, and you can feel it in a room: everyone watching a clock instead of each other, waiting to perform a feeling on cue.
The times on this one are the tell. Doors at ten, last record at three. That puts midnight almost exactly in the middle of the night instead of at the end of it, so the countdown lands while the floor is already moving and then simply keeps going. Nobody has to decide what to do afterward, because there is no afterward to negotiate — just another three hours of the same room and the same people.
Duke Dumont has been making the kind of house record that sounds like relief since 'Need U (100%)', and a warehouse off Electronics Place is a far better frame for that than a ballroom with a balloon drop and a cash bar.
Reframe Studios Indoors, 4594 Electronics Place. Doors at ten — go if you would rather your midnight be a middle than a finish line.