Fri, Mar 5
Christian Kuria: EAST TOUR
A falsetto is a risk in a live room. On a record you can stack it, bury it, fix it - and in front of three hundred people on an outdoor stage it either holds or it does not, which is why the singers who build a career on one tend to be better live than their catalogue suggests. His songs are mostly about wanting someone who is being deliberately unclear with you, which is an experience almost nobody gets through their twenties without. The arrangements leave a lot of space. Outdoors, with the sky over Market Street, that space works in his favour. He writes and produces most of it himself, which is why the records sound like one person's room rather than a committee's best guess at one. Six on Friday, around $37. Quartyard has quietly become where this strain of patient, unhurried R&B lands in San Diego, and the same faces turn up for every one of them.
A falsetto is a risk in a live room. On a record you can stack it, bury it, fix it - and in front of three hundred people on an outdoor stage it either holds or it does not, which is why the singers who build a career on one tend to be better live than their catalogue suggests. His songs are mostly about wanting someone who is being deliberately unclear with you, which is an experience almost nobody gets through their twenties without. The arrangements leave a lot of space. Outdoors, with the sky over Market Street, that space works in his favour. He writes and produces most of it himself, which is why the records sound like one person's room rather than a committee's best guess at one. Six on Friday, around $37. Quartyard has quietly become where this strain of patient, unhurried R&B lands in San Diego, and the same faces turn up for every one of them.
About this event
Details
Posts
Coming Soon
17,014 exploring this week
·
1,165 upcoming in SoCal
Christian Kuria: EAST TOUR
Going? You can check in after it ends.
7 people looking
You found this. Be the first one here.
Join →
10 Gathering
About
A falsetto is a risk in a live room. On a record you can stack it, bury it, fix it - and in front of three hundred people on an outdoor stage it either holds or it does not, which is why the singers who build a career on one tend to be better live than their catalogue suggests. His songs are mostly about wanting someone who is being deliberately unclear with you, which is an experience almost nobody gets through their twenties without. The arrangements leave a lot of space. Outdoors, with the sky over Market Street, that space works in his favour. He writes and produces most of it himself, which is why the records sound like one person's room rather than a committee's best guess at one. Six on Friday, around $37. Quartyard has quietly become where this strain of patient, unhurried R&B lands in San Diego, and the same faces turn up for every one of them.
10 people have found this event.
Your audience is already here. See exactly who found you.
I'm the one behind this →
You found your people.
They didn't know each other before Falkor either.
Export to Calendar
+62% shares · +4% members this month
