Harmonising while rapping that fast was not a style anybody else could pick up, which is why thirty years on there is still no real imitation of it - plenty of people rap quickly and almost nobody sings in chords while doing it. That technical oddity is also why the records have aged strangely well. They sound less like a decade and more like a thing that happened once. Live, the harmonies are the whole test, and a crowd that grew up on those songs is unforgiving about which parts get handled properly. Expect a lot of people in their forties who know every interlocking line, and a front row that has been waiting since the first chorus of the night. Seven on Saturday on South Hill Street downtown. Los Angeles runs a steady circuit of nineties rap shows in theatres this size, and the audience for them turns out to be considerably larger and more loyal than the booking suggests.
Harmonising while rapping that fast was not a style anybody else could pick up, which is why thirty years on there is still no real imitation of it - plenty of people rap quickly and almost nobody sings in chords while doing it. That technical oddity is also why the records have aged strangely well. They sound less like a decade and more like a thing that happened once. Live, the harmonies are the whole test, and a crowd that grew up on those songs is unforgiving about which parts get handled properly. Expect a lot of people in their forties who know every interlocking line, and a front row that has been waiting since the first chorus of the night. Seven on Saturday on South Hill Street downtown. Los Angeles runs a steady circuit of nineties rap shows in theatres this size, and the audience for them turns out to be considerably larger and more loyal than the booking suggests.
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Harmonising while rapping that fast was not a style anybody else could pick up, which is why thirty years on there is still no real imitation of it - plenty of people rap quickly and almost nobody sings in chords while doing it. That technical oddity is also why the records have aged strangely well. They sound less like a decade and more like a thing that happened once. Live, the harmonies are the whole test, and a crowd that grew up on those songs is unforgiving about which parts get handled properly. Expect a lot of people in their forties who know every interlocking line, and a front row that has been waiting since the first chorus of the night. Seven on Saturday on South Hill Street downtown. Los Angeles runs a steady circuit of nineties rap shows in theatres this size, and the audience for them turns out to be considerably larger and more loyal than the booking suggests.