Memorial Day weekend has a fixed meaning for a particular group of people on the East Coast, and it has nothing to do with barbecues. It means the Hynes, and the Sheraton next door, and roughly twenty thousand people who have been coming to the same three days in Boston since they were teenagers and are now bringing their own teenagers.
2027 is the twenty-fifth, which changes the texture of it. A convention that has run a quarter of a century accumulates something a newer one cannot buy: people who met in a line here in 2006 and got married, artists who sold their first print in this Artist Alley and now have a studio, panels that are genuinely about the history of the medium rather than whatever is currently airing. The anniversary year is when all of that surfaces at once.
What it actually feels like is a building that has been temporarily reassigned. The Hynes is a conventional glass-and-carpet convention centre for fifty-one weeks a year and then for three days it is full of people in enormous handmade costumes negotiating escalators with real care. The cosplay here skews toward craft rather than purchase - New England winters apparently produce people with time to sew - and the masquerade is treated as a serious competition.
Is it worth travelling for? If you are in the Northeast, unambiguously, and the anniversary makes this the year. If you are coming from further away, understand what it is and is not: this is a fan convention, not an industry showcase. You are not here for studio announcements. You are here because twenty thousand people who like the same thing you like have agreed to occupy the same four blocks, and because the dealer's room and Artist Alley at a convention this old are deep in a way that newer shows are not.
Things worth knowing before you go. Badges sell out and the price steps up as the date approaches, so early is cheaper. The Hynes connects indoors to the Prudential Center and the Sheraton, which matters enormously in unpredictable May weather and means you can spend three days without going outside. Boston in late May is pleasant and expensive; book the hotel block the day it opens or stay a Green Line ride away. Food inside the convention is convention food - Boylston Street is thirty seconds away and much better.
The reason it belongs on a national list is simply durability. Plenty of conventions are bigger. Very few have been doing it continuously for twenty-five years with the same community still showing up, and that longevity is the product. Late May, Back Bay, Memorial Day weekend.
Memorial Day weekend has a fixed meaning for a particular group of people on the East Coast, and it has nothing to do with barbecues. It means the Hynes, and the Sheraton next door, and roughly twenty thousand people who have been coming to the same three days in Boston since they were teenagers and are now bringing their own teenagers.
2027 is the twenty-fifth, which changes the texture of it. A convention that has run a quarter of a century accumulates something a newer one cannot buy: people who met in a line here in 2006 and got married, artists who sold their first print in this Artist Alley and now have a studio, panels that are genuinely about the history of the medium rather than whatever is currently airing. The anniversary year is when all of that surfaces at once.
What it actually feels like is a building that has been temporarily reassigned. The Hynes is a conventional glass-and-carpet convention centre for fifty-one weeks a year and then for three days it is full of people in enormous handmade costumes negotiating escalators with real care. The cosplay here skews toward craft rather than purchase - New England winters apparently produce people with time to sew - and the masquerade is treated as a serious competition.
Is it worth travelling for? If you are in the Northeast, unambiguously, and the anniversary makes this the year. If you are coming from further away, understand what it is and is not: this is a fan convention, not an industry showcase. You are not here for studio announcements. You are here because twenty thousand people who like the same thing you like have agreed to occupy the same four blocks, and because the dealer's room and Artist Alley at a convention this old are deep in a way that newer shows are not.
Things worth knowing before you go. Badges sell out and the price steps up as the date approaches, so early is cheaper. The Hynes connects indoors to the Prudential Center and the Sheraton, which matters enormously in unpredictable May weather and means you can spend three days without going outside. Boston in late May is pleasant and expensive; book the hotel block the day it opens or stay a Green Line ride away. Food inside the convention is convention food - Boylston Street is thirty seconds away and much better.
The reason it belongs on a national list is simply durability. Plenty of conventions are bigger. Very few have been doing it continuously for twenty-five years with the same community still showing up, and that longevity is the product. Late May, Back Bay, Memorial Day weekend.
Memorial Day weekend has a fixed meaning for a particular group of people on the East Coast, and it has nothing to do with barbecues. It means the Hynes, and the Sheraton next door, and roughly twenty thousand people who have been coming to the same three days in Boston since they were teenagers and are now bringing their own teenagers.
2027 is the twenty-fifth, which changes the texture of it. A convention that has run a quarter of a century accumulates something a newer one cannot buy: people who met in a line here in 2006 and got married, artists who sold their first print in this Artist Alley and now have a studio, panels that are genuinely about the history of the medium rather than whatever is currently airing. The anniversary year is when all of that surfaces at once.
What it actually feels like is a building that has been temporarily reassigned. The Hynes is a conventional glass-and-carpet convention centre for fifty-one weeks a year and then for three days it is full of people in enormous handmade costumes negotiating escalators with real care. The cosplay here skews toward craft rather than purchase - New England winters apparently produce people with time to sew - and the masquerade is treated as a serious competition.
Is it worth travelling for? If you are in the Northeast, unambiguously, and the anniversary makes this the year. If you are coming from further away, understand what it is and is not: this is a fan convention, not an industry showcase. You are not here for studio announcements. You are here because twenty thousand people who like the same thing you like have agreed to occupy the same four blocks, and because the dealer's room and Artist Alley at a convention this old are deep in a way that newer shows are not.
Things worth knowing before you go. Badges sell out and the price steps up as the date approaches, so early is cheaper. The Hynes connects indoors to the Prudential Center and the Sheraton, which matters enormously in unpredictable May weather and means you can spend three days without going outside. Boston in late May is pleasant and expensive; book the hotel block the day it opens or stay a Green Line ride away. Food inside the convention is convention food - Boylston Street is thirty seconds away and much better.
The reason it belongs on a national list is simply durability. Plenty of conventions are bigger. Very few have been doing it continuously for twenty-five years with the same community still showing up, and that longevity is the product. Late May, Back Bay, Memorial Day weekend.