Orchestras change conductors about as often as countries change constitutions, and this one kept the same person on the podium for thirty-five years. Everybody in the hall knows they are hearing the first sentence of a story that will outlast most of them.
Alexander Shelley takes the podium for his first concert as Music Director, and he does not arrive quietly — he brings Joshua Bell, one of the most cherished violinists alive, and opens with a bold new reading of The Star-Spangled Banner. In the acoustics at Segerstrom that opening is not a formality. It is a statement of intent about who this orchestra means to become.
Costa Mesa, an October evening, with the county's symphony faithful out in force alongside everyone who wants to say they were there at the start.
Bring the person you would want beside you the night something begins.
Sep 24, 2026
$45+
Cerritos Center for the Performing…
Who you gonna call? Everybody, apparently, because there's a special magic to watching a movie you love on a giant screen while a live orchestra plays every note of the score in real time. Ghostbusters In Concert pairs the 1984 comedy classic with a full ensemble performing Elmer Bernstein's music and Ray Parker Jr.'s inescapable theme, and the effect is pure joy: the jokes land, the proton packs whir, and the whole room sings the chorus without a shred of irony. Thursday, September 24, 2026, Cerritos Center for the Performing Arts. Bring the kids who've never seen it and the adults who've seen it fifty times. It's family-friendly, gorgeously performed, and a genuinely fresh way to experience a film you thought you knew by heart. Come get slimed, the classy way.
Sep 24, 2026
$40+
The Novo, 800 W Olympic Blvd, Los …
In the 1990s two Viennese record nerds slowed the whole world down: Kruder & Dorfmeister's smoky, narcotic downtempo remixes became the sound of every after-hours comedown worth having, and their landmark K&D Sessions still soundtrack a certain kind of blissed-out night three decades later. They almost never tour the US, which makes a rare LA set a genuine event for the heads who wore those records out. Thursday, September 24, 2026, The Novo in downtown Los Angeles. Come for the deepest, dubbiest, most impossibly cool grooves in electronic music, played by the duo that basically invented the vibe. Bring the friend who still has the CDs. This is connoisseur music for a connoisseur crowd, the kind of show you'll be quietly smug about for years. Sink in and float away.
Sep 24, 2026
$22+
The Casbah, 2501 Kettner Blvd, San…
Nobody actually knows who is under the mask, and after a few minutes you stop caring, which is the whole enchantment.
An anonymous producer in a glowing animal head plays live drums over shimmering, tribal, unreasonably emotional electronic music, and the result lands somewhere between a rave and a ritual. The cult following treats every performance like a secret handshake — people who found this on their own and have never quite been able to explain it to anyone who has not stood in the room while the drums come in.
A small, sweaty, transcendent night on Kettner Boulevard, one Thursday in September, in a venue that has hosted exactly this kind of thing for decades and knows precisely what it is doing with it.
Bring the friend who likes a little magic with their music, and let it carry both of you somewhere else.
Every day· Next Sep 25
Imperial Beach, San Diego, CA 91932
The mat is on the sand. The instructor is barefoot. And the sound of the Pacific crashing behind you is doing more for your nervous system than anything in the guided meditation.
The San Diego Yoga Festival is a four-day beach yoga experience on the sand in Imperial Beach — classes held directly on the shore with the ocean as the backdrop and live music from the main stage. Beyond the practice: a vending area with healthy food, healing services including Reiki, massage, and sound healing, a dedicated kid's center for families, education on mindful products, and a community of practitioners who chose sand over studio.
Sandiegoyogafestival.com for exact dates, schedule, and registration. Imperial Beach, San Diego, CA.
If you've ever rolled out a mat somewhere beautiful and thought 'this is how it's supposed to feel,' this is four days of that — with the tide keeping time instead of a clock.
Sep 25 – Sep 27, 2026
Doheny State Beach, 25300 Dana Poi…
Between sets you can hear the ocean. That one detail is why this festival does not feel like the others, and it is the reason Eddie Vedder built it on a state beach instead of a fairground. The Pacific is not a view from the field here. It is standing directly behind the stage.
The booking follows his own record collection: rock that aged into something, Americana, folk, and the independent streak connecting them. Past years have run from Pearl Jam and The Who through Stevie Nicks, My Morning Jacket, and Phoebe Bridgers. Doheny works as a natural amphitheater, and the September light coming off the water does something to a set that no inland venue can fake.
Dana Point, an easy run down the coast, with weekend and single-day passes through the festival site. Send it to the friend who keeps saying every festival feels the same now.
Sep 25 – Sep 27, 2026
From $149
25300 Dana Point Harbor Dr, Dana P…
Even the headliners feel close enough to touch here - that is what happens when Eddie Vedder of Pearl Jam builds a festival at boutique scale and sets it down against the open Pacific. For three days at Doheny State Beach in Dana Point, ocean breeze and sunset views turn every set into something cinematic, across a lineup that spans rock, folk, Americana, and indie. The site itself is flat and wide open, which makes it easy to move between two stages without missing anything you came for, and the intimacy is the whole reputation - a festival people come back to year after year, not for the scale but for the feeling. Doheny is in Dana Point, about 60 miles south of Los Angeles and 30 miles north of San Diego; shuttle service runs from nearby park-and-ride lots, and hotels and Airbnbs line the Dana Point harbor within walking distance. There is no on-site camping, but the surrounding area has options. Three days of music, ocean air, and community. Ohana Festival returns to Doheny State Beach for its annual run on the Pacific Coast.
The fog rolls in at night and the whole crowd wraps itself in jackets and blankets without missing a note - that is the tell that you are somewhere the music has been happening continuously since before your parents were born. The Monterey Jazz Festival is the oldest continuously running jazz festival in the world, held at the Monterey County Fairgrounds since 1958. Nearly seven decades of outdoor jazz on the bay. The experience is one of productive wandering: you build your own schedule across five stages spread through the fairgrounds, stumbling into performances you did not plan and discovering artists you will listen to for the rest of your life. Evenings at the main arena carry the weight of history - the musicians who have played here include Miles Davis, John Coltrane, Dizzy Gillespie, and Billie Holiday. The daytime has a wine-country ease: Thai and Jamaican food stalls, local Monterey County wines poured at on-site tastings, and a crowd ranging from jazz scholars to families simply drawn in by a beautiful September weekend on the California coast. If you love music discovery and the pleasure of something with genuine cultural history, Monterey Jazz is worth every dollar. The Grounds Pass is the insider move - it gives access to all five stages and most artists, and the unexpected discoveries in the smaller tents are often the sets people remember longest. This is not for anyone who needs a massive headliner to justify a weekend; it is for people who understand that the best music experiences are the ones nobody planned. A few practical notes: bring layers, because Monterey evenings can drop into the 50s even in September - veterans pack a waterproof jacket, gloves, and a stadium seat cushion for the concrete bleachers. Use the remote parking lots and the free festival shuttle instead of trying to park close. The venue is cashless, so load a card before you go. Food lines move quickly in early afternoon but back up at dinner. Download the free festival app before you arrive and use the My Lineup feature to avoid schedule conflicts. What Monterey represents is rare in American culture: a living institution. Nearly seventy years of continuous programming makes this not just a festival but a timestamp - every year it runs, the art form gets another year of documentation, and attending in 2026 means adding yourself to that record. Tickets and full lineup at montereyjazzfestival.org.
Nobody warns you about the swell in your chest when the theme hits and a character decides to go beyond what they can survive. Now put a live orchestra a few feet in front of you and let an entire room have that at the same time.
That is the whole proposition. The Fox is an old theater with the acoustics of a place built before anyone thought about amplifying anything, which means the brass arrives in your ribs rather than your ears. The crowd comes dressed as the people they wish they were brave enough to be, and by the second half nobody is self-conscious about it anymore. All ages, and every person needs a ticket regardless of age, so the kids get counted like everyone else, which is right, because they are the ones who cry first.
Mission Inn Avenue in Riverside, doors in the evening.
Go with whoever you watched the finale with. Do not go alone.
Sep 25, 2026
$$
Moreno Beach, Lake Perris State Pa…
By the third mainstage megafest of the summer you start to feel it — the wristband fatigue, the ninety-thousand-person crush, the quiet realization that you paid a small fortune to feel completely anonymous.
Underneath that sits a truer thought. You did not fall for this music because of pyro and sponsor tents. You fell for it because of one moment years ago at two in the morning when the bass dropped to a heartbeat and every stranger around you suddenly felt like somebody you would want to know.
The whole thing here is engineered around that feeling. Four days camped on a beach inside a state park, forty-nine artists moving through house and deep electronic and bass, and a crowd capped on purpose at seventy-five hundred — small enough that by Sunday you recognize faces, the crew two tents over becomes your crew, and the sunrise sets play to people who stayed up specifically for them.
Bring a tent, water, and the one friend who would understand every second of it.
Some bands retire. Some bands do farewell tours that last a decade. Iron Maiden writes a new album, hires a bigger pyro crew, and books an outdoor stadium they've never played before. That's the difference between legacy and relevance.
Iron Maiden brings the Run For Your Lives World Tour to BMO Stadium in Los Angeles on Thursday, September 25 at 6:15 PM, with Megadeth and Anthrax as support. Let that lineup sink in. Three of the Big Four of thrash metal on one stage in Los Angeles — the city that birthed half the genre. A second night follows on September 27 with the same lineup for anyone who needs a double dose.
BMO Stadium is a 22,000-capacity open-air venue in the heart of Exposition Park, walking distance from the Expo Park/USC Metro station. The venue's intimate dimensions for a stadium mean even upper-level seats feel close. The run starts at 6:15 PM — early enough to catch every opener in daylight before the main act takes the stage under a wall of fire.
This is the show the metal community has been waiting for. Three of the four architects of thrash, one stage, one city. Lock it in.
Your pulse moves before you consciously remember what that drowning music was. That is the whole premise: the soundtrack that lived inside a CRT television while you pressed right and hoped, performed by an actual ensemble — rock musicians, vocalists, electronics — with visuals cut to every note on the screen behind them. It covers decades of the franchise, which means the argument starts on the drive home about which zone had the best track and never fully resolves. This is not a DJ set and not a remix record. It is a room full of adults who learned the same melodies at the same age, hearing them played loud by people who take them seriously. San Diego Civic Theatre, a Friday evening in September. If Green Hill Zone does nothing to you, skip it. If it does, you already know exactly who you are bringing.
Sep 25, 2026
$40+
The Novo, 800 W Olympic Blvd, Los …
Endtroducing was the first album ever built entirely from samples, and the crate-digging genius behind it, DJ Shadow, has spent thirty years proving that a pair of turntables and an impossible record collection can be as moving as any orchestra. His live shows are jaw-dropping feats of turntablism and visual spectacle, revered by hip-hop heads and electronic obsessives alike. Friday, September 25, 2026, The Novo in downtown Los Angeles. Come for the deep-crate wizardry, the head-nodding instrumentals, and the sheer craft of a true master at work. Bring the friend who taught you what a breakbeat is. This is the kind of show that reminds you music can still surprise you, from an artist the mainstream never fully understood but the underground reveres. A masterclass, live.
The admission is earned by completing actions — volunteering, signing petitions, raising awareness for global causes. You buy a ticket by doing something. Then 60,000 people gather in Central Park. The experience at the Global Citizen Festival is Central Park in its most elevated state. The Great Lawn becomes a real concert venue for one day — production values matching any arena show, stages facing west so the sunset falls behind the skyline, and a crowd that was specifically required to do something to be there. The lineup has historically been extraordinary: Beyoncé, Rihanna, Coldplay, Stevie Wonder, Pearl Jam, BTS, Billie Eilish, and dozens of other globally recognized artists have performed on the Central Park stage. No other free concert in the United States comes close to this lineup caliber. The combination of arena-caliber music, the most famous park in the world, and a crowd selected by civic engagement produces something that exists nowhere else on the American event calendar. The Global Citizen Festival is among the highest-value cultural experiences in New York — potentially in the US — for the exact cost of civic engagement plus transport to Central Park. If you live in New York, attending means completing a few actions in the app over several weeks. If you are visiting New York in late September, building the trip around the festival is a compelling proposition: the park, the concert, the specific feeling of being in Manhattan on a clear September Saturday with 60,000 other people who did something to be there. There is no other event where the barrier to entry is specifically: care about something. Global Citizen Festival entry is earned through the Global Citizen app — start earning points two to three months before the event. A single meaningful action (contacting your congressional representative, sharing a verified campaign) can earn a single ticket; multiple actions earn additional passes. West 72nd Street entrance is the standard festival access point. The Great Lawn has no shade — wear sunscreen and bring layers for the evening. Gates typically open at 3 PM; headliners go on at dusk around 6-7 PM. Bags are screened. Food and beverage are sold inside. Rideshare to the 72nd Street and Central Park West drop zone is the easiest arrival method. The festival is the reward for paying attention to the world. In Central Park, on the last weekend of September, 60,000 people who spent weeks signing petitions and making calls listen to the same music together. The transaction is real. The experience is extraordinary. September in New York.
Bay water shimmering behind the stage, palm trees bending to the bass, and a crowd that came to move rather than to pose.
Twice a year the waterfront downtown turns into the kind of dance floor most cities only dream about. The lineup is built for people who know what a b2b set actually means: Chris Lake back to back with Disclosure, Skepta crossing lanes, Helena Hauff delivering the darkest techno anyone will hear outdoors this year, and Groove Armada closing out a sunset only this park can frame.
This is not a rave in a desert parking lot. Three stages, 21-and-over, walking distance from the Gaslamp. The intimacy is the product — you will remember a set here five years from now because you could actually see the DJ's hands.
Waterfront Park, 1600 Pacific Hwy. September 26 and 27.
Wear something you can dance in for nine hours, and do not schedule anything for Monday.
Most art festivals feel like walking through somebody else's mood board. This one feels like walking into a neighbor's garage on the day they finally let you see what they have been working on. The lawn and plaza outside City Hall fill with South Bay artists who show almost nowhere else — painters, muralists, sculptors, mixed-media people whose work carries the specific texture of a region that knows it has been overlooked and stopped caring about being noticed. It is not juried. There are no tiny wine glasses. The distance between the person who made the thing and the person looking at it is a handshake, which is the entire difference. Live music fills the gaps between conversations, and the food is the kind that only turns up at a South Bay block party. Free, outdoors, afternoon into evening. Go buy something small from somebody who lives near you.
The sand is still warm when the sun drops behind the pier and the stage lights start catching the salt in the air. A first chord hits differently when you are barefoot and the Pacific is fifty feet behind you.
This is Goldenvoice's first run at a beachside festival here — two stages built directly on the sand with the pier deck working as a third — and the debut lineup reads like a playlist somebody assembled to impress a person they like. The Killers and Jack White anchor one day alongside Sublime and Alvvays; Olivia Dean, Khruangbin, Durand Jones & the Indications, and Hiatus Kaiyote pull the other one somewhere softer. SG Lewis, Hot Chip DJs, BLOND:ISH, and Poolside fill the golden-hour gaps.
The footprint runs from the pier down toward Bay Street: walkable between stages without missing a transition, wide enough that the crowd can breathe. All ages.
Go with whoever you would want standing beside you when the sun goes down.
There's a frequency your body remembers before your brain catches up. It lives somewhere between the kick drum and the concrete, in that pocket of air where ten thousand strangers stop being strangers and start breathing in the same rhythm. On a Saturday evening in late September, that frequency takes over Grand Park.
Amelie Lens brings her unrelenting brand of Belgian techno to downtown Los Angeles for an outdoor session that transforms the civic heart of the city into something its architects never imagined. The block between City Hall and the Music Center becomes a dancefloor. The skyline becomes the light show. Grand Park Block 2 — surrounded by courthouses and government buildings on every side — hosts the kind of night that makes the juxtaposition feel intentional, like the city itself is in on the joke.
Factory 93, Insomniac's underground imprint, has built its reputation on exactly this tension: world-class techno in settings that force you to forget where you are. The lineup runs deep. Truncate's raw, hardware-driven productions. Regal's relentless European intensity. Anastasia Giovani opening the evening with the kind of momentum that makes five o'clock feel like midnight. And then Amelie Lens, whose sets have headlined Awakenings, Tomorrowland, and every festival stage that matters — here, under the open LA sky, no walls, no ceiling, just sound.
Doors open at 5 PM. Music runs until 11 PM. The event is 21+. Grand Park Block 2 is at 200 N Grand Ave, Los Angeles, CA 90012 — steps from the Civic Center/Grand Park Metro station. Saturday, September 26, 2026.
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