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Nov 6 – Nov 8, 2026
TBA
Pasadena Convention Center, Pasade…
The thing nobody says out loud about the giant conventions is that you go for the artists and then spend the whole weekend failing to reach them. Six people deep at every table, a crowd that carries you past what you came to see, a morning of your life spent in a badge line.
This is the other version. The vendor hall is the argument: importers with inventory that never appears on domestic sites, small publishers stocking titles nobody else carries, figure dealers holding real stock, and artists who skip the bigger shows entirely. The cosplay skews toward builders — people who spent months on a prop and want a room where you can actually stop and look at it. Friday evening hours let the weekend breathe instead of compressing.
Three days at the Pasadena convention center, free parking, weekend passes cheap by convention standards.
Send this to the friend who came back from Anime Expo saying they saw nothing.
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Mar 13 – Mar 14, 2027
Pasadena Convention Center, 300 E …
The panels are the reason to go, which is not a sentence anyone gets to say honestly about most conventions. Blame the geography. This corner of the city sits within a few miles of Caltech, JPL, and the studios, which produces a fan base that reads closely, argues in specifics, and will not let a guest coast through a Q and A. The questions are better here. Everybody notices it eventually.
The rest is the good stuff done properly: voice actor panels and signings, a cosplay competition judged on actual craftsmanship, an artist alley of independent creators selling original work, a vendor hall, and a game room running open play all weekend.
Old Town is the other half of the argument — you walk out for real dinner instead of eating a pretzel over a trash can, and the Gold Line puts you a few blocks off.
Bring the friend who takes the craftsmanship judging personally. They will find their people inside of an hour.
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Sep 18 – Sep 20, 2026
Pasadena Convention Center, 300 E …
Somewhere in your phone is a screenshot of an artist whose books close the hour they open, whose waitlist runs past next year, and who you have never once been in a room with. For three days they are standing at a booth with an open notebook, taking consultations.
Several hundred of them come in from across the country. Flash and custom, traditional and neo-traditional, realism, Japanese, and work that refuses a category outright. The floor rewards the slow walk, because the artist you have not discovered yet is two aisles over, mid-piece, happy to talk about what they are chasing right now. Even if you are not getting tattooed, sitting in on the competition judging hands you the vocabulary for what separates technically clean from genuinely rare.
Pasadena Convention Center, three days in September.
If you have been sitting on a piece for years, this is the weekend it stops being a screenshot.
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Sep 5 – Sep 6, 2026
10.0
Pasadena Convention Center, 300 E …
Somewhere on this floor is the sealed product you have been hunting, and three tables over sits a vintage sports card graded PSA 8 from 1985. Same room, same afternoon, no relationship to each other whatsoever. That is what 770 tables buys you: enough scale that serendipity stops being luck and becomes the actual reason to go. Pokémon, Magic, sports cards, comics, and collectibles across two full days at the convention center, with professional grading services set up right on the floor and real trades happening at the tables instead of in a parking lot afterward. The tell that this is a community event and not a vendor event is Saturday Trade Night, free to enter, built entirely for the people who come back after dinner to finish negotiations they started at noon. No celebrity booths. No influencer stage. Just the show serious collectors quietly tell each other about, which is precisely why the inventory turns up. Bring the binder you never let anybody touch.
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Jun 20 – Jun 21, 2026
Paid - $25-$45
Pasadena Convention Center, 300 E …
Somewhere in your house is an object nobody else in your family understands the price of. A resin figure. A vinyl piece in a colorway that existed for one weekend. You have explained it before and you stopped bothering.
This is the room where you do not have to explain it. Three hundred-plus exhibitors, all independent artists selling one-of-a-kind resin figures, limited-run vinyl, art prints, custom sneakers, and objects sitting somewhere between sculpture and collectible. No mass-market toy companies. The culture is small-batch and artist-direct and expensive for reasons everyone here can articulate.
Exclusive colorways of formats you already collect. Signature pieces from artists you follow. And the secondary-market buyers hunting grails, who you recognize instantly because they move differently.
Pasadena Convention Center, 300 E Green St. Lines form early for exclusive drops and day-one badges sell out.
This is the same crowd that camps for drops. Plan accordingly.
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Jun 6 – Jun 7, 2026
Pasadena Convention Center, 300 E …
The cartridge is in a bin. The person selling it doesn't know what you paid for it, and doesn't care — they're looking for something too.
That moment of physical contact with hardware from your childhood, at a table run by someone who shares the same obsession, is what the SoCal Gaming Expo is built on. Pasadena Convention Center, June 6-7, 2026: free-play arcade, 200-plus vendor tables, competitive gaming, and the specific joy of a room where everything is for sale and everyone is looking.
Retro gaming at its core, which undersells it — this is the show for people who never stopped. The free-play arcade runs throughout both days: you don't have to buy anything to justify the ticket. But the vendor floor is the reason most people come back. NES, SNES, Genesis, N64, Game Boy, arcade cabinets — the full range.
Free-play stations running throughout. Competitive tournaments on both days. General admission.
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Jun 6 – Jun 7, 2026
Pasadena Convention Center, 300 E …
The console that defined your childhood is in a bin here. The person selling it has been looking for yours.
SoCal Retro Gaming Expo brings two days of competitive play, free-play stations, and a vendor floor to the Pasadena Convention Center — the annual show for people who still think the best game of their life was on hardware that no longer ships. NES, Sega Genesis, SNES, N64, Dreamcast — the full range, from the people who kept theirs.
The free-play arcade runs throughout both days. The vendor floor is where the serious trading happens — bring a want list and bring cash. Competitive tournaments run across multiple platforms. Speedrunning exhibitions and high-score challenges for the community that measures progress in frames.
The retro gaming show that doesn't apologize for the nostalgia. Pasadena Convention Center. The show is family-friendly on both days. The free-play arcade is the best reason to bring someone who doesn't collect yet.
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One day only. Which is the constraint that makes this one work, because you cannot pace yourself across a weekend, so the whole floor moves at the speed of somebody who knows exactly which table they have to reach first.
Cosplay competitions where the costume that wins is usually the one with an engineering problem solved inside it. Panels with creators who are still standing in the hallway afterward, taking the questions nobody asked them on stage. Booths where the real find is three boxes deep and priced by someone who was in a hurry. Comics, anime, gaming, and film all sharing one hall, which means the conversations cross over in ways the enormous conventions have gotten too big to allow anymore.
Pasadena Convention Center, a single day of it, badges through the event site. Send it to the friend who talks about their childhood collection the way people talk about someone they lost touch with.
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You have a longbox in a closet you have not opened in years, and you still know exactly which issue is sitting on top of it. That part of you is what this floor was built for.
The move is to skip the celebrity line and go straight to the artist tables, where somebody is inking a commission in front of you and will talk about it while they work. Rare back issues surface here that never make it onto a shop wall. Cosplayers who spent months on a build stop and let a kid inspect the armor seams. Panels and workshops run all weekend, and the people running them are the ones who actually make the thing.
Pasadena Convention Center, comics through sci-fi and fantasy and anime, the whole weekend.
Bring the friend who says they grew out of this. Watch how quickly that turns out not to be true.
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Aug 23 – Aug 25, 2024
Pasadena Convention Center, Pasade…
Power Morphicon is a convention dedicated to the Power Rangers franchise, featuring cast members, panels, screenings, and merchandise. The event celebrates the legacy of the iconic superhero series.
While you are lookingDifferent scene, same night out.
Coming Soon
65 days away
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Small press comics are made by people who mostly lose money doing it, which is exactly why the work is interesting, and why a room full of them feels different from a convention floor. No celebrity photo ops here, no film studios, no queue for a Funko exclusive — just long tables of risograph zines, hand-bound books, and cartoonists sitting behind their own work explaining it to whoever stops. Los Angeles has an unusually deep bench of independent cartoonists because the animation industry pays some of them to live here, and this is the weekend they show what they make when nobody is art-directing. Admission is deliberately low-barrier and the crowd skews toward art students, working illustrators, and people who will spend forty dollars on something printed in an edition of sixty. December 12 and 13, 2026, at the Homenetmen Ararat North Campus on Dolores Street in Glassell Park. It runs annually, and the same cartoonists turn up year over year, which is how you watch a scene grow in real time.
Coming Soon
🌎 Nation's Best
147 days away
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Comic conventions mostly stopped being about comics some time in the last twenty years, which is a reasonable business decision and a real loss. The Seattle one is the largest that never quite let go. Artist alley here is not an afterthought tucked behind the celebrity photo ops — it is enormous, central, and full of people who make the actual books, which is why working comics professionals treat this as the show they look forward to rather than the one they are contractually obliged to attend.
What it feels like is a very large city being unusually generous for four days in March. The Seattle Convention Center sits right in the middle of downtown, so the convention spills into the surrounding blocks in a way that walled-off complexes never allow — bars fill with people in costume, restaurants run specials, the whole neighborhood participates. Inside, the programming leans hard into craft: how pages get made, how a script becomes art, panels where writers talk about work rather than about announcements. The crowd is noticeably more mixed in age than most conventions, and considerably more likely to be carrying a stack of books they are getting signed.
Is it worth it? If you read comics — actually read them, not just watch the adaptations — this is the best large convention in the country for you, and the artist alley alone justifies the trip. If you are chasing exclusive collectibles or a specific film cast, the bigger coastal shows do that better. What Seattle does better than anyone is put you in a room with the people who make the thing you love, at a scale where you can actually talk to them.
What to know: March in Seattle is grey and wet and nobody minds. Buy artist alley prints early on Thursday or Friday because the good ones sell out. Bring a portfolio bag if you are collecting anything on paper. The convention center's layout has two buildings now; check which one your panel is in before you walk. And the small-press section, which most attendees walk straight past, is consistently where the next few years of comics are sitting on folding tables.
It is here because a convention that still centers the artists is genuinely rare, and because knowing there is one place where that is still true tells you something worth knowing about the form. Emerald City Comic Con 2027 runs March 4–7, 2027 at the Seattle Convention Center.
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Jul 1 – Jul 4, 2027
Los Angeles Convention Center, 120…
You will be tired in a way that feels earned. Four days, a hundred thousand people, and not one of them needs you to explain what you are talking about.
The largest anime convention in North America takes the Los Angeles Convention Center over Fourth of July weekend and spills into the JW Marriott and the Ritz-Carlton beside it. Industry panels, screening rooms, autograph sessions with voice actors and composers, concerts that sell out weeks ahead. Studios from Japan use this as their main North American announcement stage — if a sequel or adaptation is being revealed, it often happens in a room you could be standing in.
The exhibit hall carries imported merchandise and collaboration exclusives that surface nowhere else on the continent.
Los Angeles Convention Center, 1201 S Figueroa St. Thursday through Sunday. Badges run from top-tier early-access down to single-day passes.
Book the connected hotel corridor months out. Everyone who tells you that learned it the hard way.
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Jan 7 – Jan 10, 2027
Long Beach Convention Center, 300 …
Some knowledge you cannot buy: which panels are worth lining up an hour early for, which guest signings empty out fast, which late-night rooms never make it onto the printed schedule. Regulars hand that down to each other here, and it is the real inheritance of a convention that has been meeting for over two decades.
The tradeoff for running smaller than Anime Expo is access. To the guests, who trend toward voice actors and fan creators who build their year around Southern California cons. To the programming, which you can actually get into. To each other — the dealer room and artist alley run at a scale where you can move without turning sideways.
Four days at the Long Beach Convention Center, January 7-10, 2027, and they open the convention calendar for the whole region.
Send this to whoever you stood next to in line last year. They are already planning.
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May 22 – May 23, 2027
Ontario Convention Center, Ontario…
Somewhere in the artist alley there is a table with your favorite book on it, and the person who drew it is sitting behind it, waiting for someone to say the right thing. That is the whole reason to go. The Inland Empire's comic weekend stays small enough that you can actually reach that table — no wristband lottery, no line that eats your morning, no security walking the queue with a clipboard. Panels run all day for the people who want to hear how the work actually gets made. The exclusive merchandise moves early, which the regulars know, which is why they walk the floor before they do anything else. Pop culture at large is here too, but comics are still the spine of it. Ontario Convention Center, in Ontario. Bring the friend who has been quietly drawing in the margins since middle school and has never shown anyone.
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Oct 30 – Nov 1, 2026
Los Angeles Convention Center, 120…
The big one down the coast takes all the attention. The people who come to this one prefer it that way, and they are quietly glad you have not worked it out yet.
Three days at the Convention Center — celebrity signings, panels, and an exhibitor floor that runs independent publishers alongside the major houses. Fifty thousand people who grew up on the same stories, turning a hall into a reunion.
The character is different on purpose. This is the industry's own convention, the one people attend in costume because they want to rather than because the press is watching. Comics, sci-fi, gaming, horror, anime, fantasy, across all three days.
Los Angeles Convention Center, 1201 S Figueroa St. October 30 through November 1.
The mythology is still being made in that room, and some of the people making it are sitting at a table waiting for someone to say hello.
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