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Largo At The Coronet 4 results for Largo at the Coronet

Everything at Largo At The Coronet — including past events

Coming Soon

18 days away

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THE IMPROVISED SHAKESPEARE COMPANY

Oct 26, 2026 Largo at the Coronet, 366 N La Cie…

Monday is the night nothing happens, which is exactly when it is worth watching people work without a net. Somebody in the audience shouts a title for a play that has never existed, and the cast performs a full-length Shakespearean version of it on the spot — five acts, mistaken identities, a death scene, verse invented on the fly by people who have to rhyme their way out of corners they built ninety seconds earlier. The failures are the best part. An actor gets stranded mid-couplet, and you can watch the others silently decide whether to rescue him or let him hang there one beat longer because it is funnier. They almost always let him hang. Mark Flanagan asks you to leave your phone at home or in the car, and he means it, so no clip of the collapse exists. The play was never written down to begin with, which means the thing you sit through will never be performed again, by anyone, in any city. Doors at seven, curtain at eight, Monday the 26th of October. Largo at the Coronet, on La Cienega.

Coming Soon

32 days away

Edi Patterson: PLAYGIRL

Nov 9, 2026 Largo at the Coronet, 366 N La Cie…

Some performers are funny. A smaller number are unwell on stage in a way that feels like a public service. If you have watched her play Judy Gemstone and found yourself laughing at something you would not repeat at work, you already know which category this is. Away from television she builds an hour out of characters that start plausible and then keep going about four beats past where a normal writer would stop, which is the entire pleasure of it. Largo does not allow phones in the room, so nothing from the set will exist online tomorrow, and the performers know it and use it. The Coronet holds a few hundred people and the front rows are close enough that eye contact becomes a risk you accept when you buy the ticket. It is one night only, Monday, November 9 at 8pm on North La Cienega. Mondays in this city are usually nothing. This is the exception.

Coming Soon

33 days away

Fred Armisen and Friends

Nov 10, 2026 $40 Largo at the Coronet, 366 N La Cie…

He was a drummer for a decade before anybody thought of him as funny, and it still shows in the timing. Armisen played in a Chicago post-hardcore band for years, and the muscle he built there is the reason his characters land on the beat rather than near it — watch him do an accent and you are actually watching a percussionist count. Nobody will tell you who else is playing. An "and Friends" bill at this address means the host does some time, then walks people out whose names were printed nowhere, usually working comics who live twenty minutes away and wanted a stage with no cameras pointed at it. There is a decent chance a drum kit appears. The theatre holds under three hundred, close enough to see a performer abandon a bit mid-sentence and go hunting for a better one, and nothing gets recorded, so whatever you get is the only copy. Will call opens at six and doors at seven for an eight o'clock start, Tuesday, November 10. Forty dollars.

Mae Martin and Friends - A Benefit for Food on Foot

Coming Soon

62 days away

Mae Martin and Friends - A Benefit for Food on Foot

Dec 9, 2026 $40 Largo at the Coronet, 366 N La Cie…

There is a particular generosity in a comic who will do the harder version of the job for free. Martin builds sets out of the material most people would rather keep in a drawer — anxiety, addiction, the exhausting comedy of being misread — and does it so lightly you forget you are being told something true until a couple of hours later. The proceeds here go to Food on Foot, the Los Angeles nonprofit that works to move people off the street and into jobs and housing, which quietly changes the room: an audience that turned up partly on purpose laughs differently than one that turned up only to be entertained. The bill is unannounced, as it always is at this address, and the house rule is no phones, so the guests who drop in can try things that are nowhere near finished. Under three hundred seats, a piano nobody can resist, and a good chance the evening ends somewhere the lineup card never suggested. Wednesday, December 9. Forty dollars, and the money goes to Food on Foot.

While you are looking Different scene, same night out.

Weekly

40 Gathering

2 days away

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LEGOLAND Brick-or-Treat 2026 — Carlsbad

Every Saturday · Next Oct 10 Included with park admission 1 LEGOLAND Drive, Carlsbad, CA 920…

Your kid picked the costume in August, has changed it twice since, and will change it again the morning of. This is known. The whole event was built by people who know it. Brick-or-Treat turns the resort into a Halloween built at kid height. Candy stations scattered across the park, characters in costume handing it out, a monster dance floor going all afternoon, themed builds that exist only for the season. What separates it from every other theme-park overlay is what is missing: no scare zones, no fog in a dark corridor, no teenager in zombie makeup lunging at a toddler. Just a five-year-old in a full Batman suit being taken completely seriously by every adult in the building, which is a rare public service. Select weekends across the fall in Carlsbad, included with park admission on event dates. Go for the walk back to the car, when they fall asleep still holding the bucket.

Weekly

3 days away

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Jazz Sunday at The Mint

Every Sunday · Next Oct 11 The Mint, 6010 W Pico Blvd, Los An…

A Sunday night gig is a working musician's gig. Nobody plays Sunday for the money or the crowd size — they play it because the room lets them try things, and the people who come out on a Sunday are the ones who actually want to hear somebody try things. The Mint opened in 1937 and has the wall of photographs to prove it. Small room, low ceiling, the kind of place where the piano is close enough that you hear the pedal. The Sam Hirsh Trio holds the Sunday residency and a rotating cast of the city's players cycle through alongside them, which means the bill changes every week and the standard does not. A residency is different from a booking: the band knows the room, the room knows the band, and by the second set they stop performing at you. Doors at seven on Sundays. The trio goes on late, and the last set is the one worth staying for.

Outpost with writer/director Joe Lo Truglio

Coming Soon

7 days away

Outpost with writer/director Joe Lo Truglio

In 8 days · Oct 15 Vidiots MUBI Microcinema, 4884 Eag…

Some weeks the fantasy is not a vacation. It is a fire lookout tower, one road in, no service, nobody who needs anything from you. Then you get there and discover the quiet is not empty - it has been waiting to hand you back everything you drove up to avoid. That is the film, and the man who wrote and directed it is the guy you know as the sweetest idiot in a police precinct sitcom. Joe Lo Truglio made a psychological horror picture about isolation and it is genuinely unsettling, which is its own small shock to anyone who only knows him from sketch comedy. He will be there in person. The MUBI Microcinema is the smaller of the two rooms here - under fifty seats, which means a director talkback in there is less a panel than a conversation. That intimacy is the entire reason to pick this over a bigger screening somewhere else. Thursday, October 15 at 7:00pm, in the small room upstairs.

Coming Soon

12 days away

Julia Jacklin, Jordan Patterson

In 13 days · Oct 20 Observatory North Park, 2891 Unive…

Breakup records are their own genre. Records about the specific administrative indignity of dismantling a shared life — who keeps which furniture, how to be polite in a doorway — are much rarer, and this Australian songwriter has made more than one of them. The writing is almost uncomfortably plain. No metaphor doing the heavy lifting, just exact sentences about things that actually happen, delivered in a voice that stays steady while the content does not. Live, the quiet passages are the loud part; a theatre full of people going completely silent is a specific sound and this is a set that produces it repeatedly. Jordan Patterson opens. A Tuesday at the North Park theatre, doors at seven, music at eight. October 20, Observatory North Park, 2891 University Ave. Bring the person you would not have to explain yourself to afterwards. The songwriter rooms in this county run on a circuit most people never notice until somebody they love is playing one.

Weekly

34 days away

Purpose

Every Wednesday · Next Nov 11 Gil Cates Theater, Geffen Playhous…

Every family keeps two versions of itself: the one that sits down to dinner, and the one that surfaces the moment somebody finally says the unsayable thing out loud. Branden Jacobs-Jenkins built a whole play in the gap between them, and it won the Tony for it. A storied Black political dynasty gathers in a Chicago house where the legacy on the walls and the people under the roof no longer match, and the evening comes apart one sentence at a time. Phylicia Rashad directs, and the Broadway cast came west with it rather than recasting for the coast, so you are watching the people who built these performances in the room. The Gil Cates stage holds fewer than five hundred seats, which means the shouting lands about twenty feet from your face and the silences are worse. Previews begin Wednesday, November 11 at 7:30pm and the run continues through December 13 in Westwood. You will recognize somebody. That is the part nobody warns you about.

Desert Hearts & Justin Martin All Night Long

Coming Soon

37 days away

Desert Hearts & Justin Martin All Night Long

Nov 14, 2026 Academy LA, 6021 Hollywood Blvd, L…

Most club nights are built around a handoff — somebody plays an hour, the room resets, you start reading the crowd again from scratch. The reason people drive in for this one is that it refuses to do that. One crew, one booth, the whole night, which means hour four is allowed to sound nothing like hour one and still belong to the same evening. Desert Hearts came out of the California desert as a campout where the dancefloor never stopped, and the thing that followed them indoors is not a sound so much as a set of manners: people introduce themselves, nobody films the drop, the front rail is not a status object. Bringing Justin Martin in for an all-night format is the tell that this is aimed at the people who already know how it goes rather than at a lineup poster. Anyone who has done a sunrise in Los Coyotes will recognise the pacing immediately. Ten at night, Hollywood Boulevard, and it goes as long as it goes. Somewhere in the desert there is a version of this with no roof on it.

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