He wrote dozens of pages explaining to his father exactly how the man had shaped and frightened him, and then never sent it. Anyone who has drafted a message like that at two in the morning and deleted it before dawn knows the whole architecture: the scrupulous fairness, the rehearsed accusations, the way you argue both sides because you already know how it ends. Hermann Kafka never read a word. It survives only because Franz kept it, which is its own kind of admission. Staged across three nights at UCLA's Nimoy Theater, a converted Westwood movie house rebuilt as a room that seats a few hundred, the piece puts a roomful of strangers in the position of the reader that letter never found. That is the uncomfortable part, and the reason to go with somebody you can talk to afterwards. 8 PM from November 12 through the 14th, 1262 Westwood Blvd.
He wrote dozens of pages explaining to his father exactly how the man had shaped and frightened him, and then never sent it. Anyone who has drafted a message like that at two in the morning and deleted it before dawn knows the whole architecture: the scrupulous fairness, the rehearsed accusations, the way you argue both sides because you already know how it ends. Hermann Kafka never read a word. It survives only because Franz kept it, which is its own kind of admission. Staged across three nights at UCLA's Nimoy Theater, a converted Westwood movie house rebuilt as a room that seats a few hundred, the piece puts a roomful of strangers in the position of the reader that letter never found. That is the uncomfortable part, and the reason to go with somebody you can talk to afterwards. 8 PM from November 12 through the 14th, 1262 Westwood Blvd.
He wrote dozens of pages explaining to his father exactly how the man had shaped and frightened him, and then never sent it. Anyone who has drafted a message like that at two in the morning and deleted it before dawn knows the whole architecture: the scrupulous fairness, the rehearsed accusations, the way you argue both sides because you already know how it ends. Hermann Kafka never read a word. It survives only because Franz kept it, which is its own kind of admission. Staged across three nights at UCLA's Nimoy Theater, a converted Westwood movie house rebuilt as a room that seats a few hundred, the piece puts a roomful of strangers in the position of the reader that letter never found. That is the uncomfortable part, and the reason to go with somebody you can talk to afterwards. 8 PM from November 12 through the 14th, 1262 Westwood Blvd.