New Beverly Cinema Events

New Beverly Cinema, 7165 Beverly Blvd, Los Angeles, CA 90036

Here is what is coming up at New Beverly Cinema, and what has already happened there. Concerts, games, festivals and the smaller nights that never surface in a generic search — no account needed.

Coming up 8 events

The Town That Dreaded Sundown / The Evictors

Coming Soon

4 days away

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The Town That Dreaded Sundown / The Evictors

In 5 days · Oct 12 New Beverly Cinema, 7165 Beverly B…

The scariest thing about a true-crime story is the part where the credits tell you nobody was ever caught. Charles B. Pierce built a whole career in that gap, and both halves of this bill come from him. The Town That Dreaded Sundown reconstructs the Texarkana Moonlight Murders in a docudrama register so flat and matter-of-fact that the violence keeps arriving before you have braced for it, and the trombone scene has been quietly disturbing people for fifty years. The Evictors is the quieter one, a slow Louisiana property-dispute nightmare that is really about how a house remembers what happened in it. Pierce shot on location with local faces rather than a studio backlot, which is exactly why the films feel like somebody handed you a rumour instead of a script. Monday, October 12, 7:30pm and 9:30pm on Beverly Boulevard. Bring the person who reads the Wikipedia plot summary first anyway.

Coming Soon

6 days away

Who Killed Teddy Bear? / In the Cut

In 7 days · Oct 14 New Beverly Cinema, 7165 Beverly B…

Two films about wanting somebody and being watched by somebody, made thirty-eight years apart, and the older one is somehow the more unsettling. Who Killed Teddy Bear? is a 1965 New York obsession picture that got itself effectively buried for decades, with Sal Mineo as a busboy making phone calls he should not be making, shot in a Times Square that no longer exists in any form. In the Cut is Jane Campion's, the one that was misread on arrival as a thriller when it is really about a woman deciding that risk is preferable to numbness, and it has aged into the respect it should have had immediately. Programmed together they stop being genre and start being an argument. Both on 35mm, Wednesday, October 14, at 7:30pm and 9:35pm on Beverly Boulevard. You will want to talk about it in the car afterwards, which is the entire reason to go with somebody.

Coming Soon

7 days away

Supernatural / Terror Aboard

In 8 days · Oct 15 New Beverly Cinema, 7165 Beverly B…

Carole Lombard made exactly one horror film and almost nobody has seen it. In Supernatural she plays an heiress taken over by the spirit of an executed murderess, a 1933 Paramount picture that runs barely an hour, moves like a fever, and slipped so far out of circulation that for decades it travelled mostly as a rumour among people who collect this sort of thing. It is paired with Terror Aboard, another pre-Code Paramount rarity, in which a killer works his way through the passengers of a private yacht with a cheerfulness the Production Code would have struck out a year later. Neither turns up on a streaming menu. Both run on 35mm, which is most of the reason you can see them at all this year, and the reason the condition of the print becomes part of the evening. New Beverly Cinema, 7165 Beverly Blvd, on the fifteenth: first feature at 7:30, the second at 9:05.

Daily

11 days away

Teenage Sex and Death at Camp Miasma

Every day · Next Oct 19 New Beverly Cinema, 7165 Beverly B…

At some point you started calling every slasher death three minutes early, and somewhere along the way that stopped being a complaint and quietly became the pleasure. This one knows that about you. It drops a woman who understands exactly what film she is trapped inside into a summer-camp body count and lets her try to argue with the genre's rules from within them, which is a far harder trick than parody and lands much closer to grief than anyone expects going in. It played festivals before most people could see it at all, so a 35mm booking in Los Angeles in October is a genuinely narrow window rather than a re-release. The New Beverly crowd talks back at the screen on horror nights, and on this particular film that is not a nuisance, it is practically the correct format. Monday, October 19 at 7:30pm on Beverly Boulevard. Tell the friend who quotes final-girl theory at parties.

The Cabinet of Dr. Caligari (Silent with Live Music Score)

Coming Soon

17 days away

The Cabinet of Dr. Caligari (Silent with Live Music Score)

Oct 25, 2026 New Beverly Cinema, 7165 Beverly B…

The sets lean. Doorways narrow to points, windows are painted straight onto flats, shadows are brushed by hand onto the walls, and a hundred and six years on it still reads less like an old film than like somebody's actual nightmare, carefully transcribed. Conrad Veidt plays the somnambulist Cesare with a stillness that has been borrowed by every horror performance since, and the picture worked out most of what we now mean by a twist ending. The German crews who built those crooked walls were partly doing so because a collapsed postwar economy could not spare real timber or real light, which is how a budget shortfall hardened into the founding grammar of the genre. Watching it silent on a laptop is a wholly different act from sitting in a dark room while a musician plays to the picture in real time, choosing tempo against an audience they can hear breathing. Beverly Blvd, October 25, two in the afternoon.

Coming Soon

18 days away

Funeral Home / Blue Monkey

Oct 26, 2026 New Beverly Cinema, 7165 Beverly B…

Forty minutes of scrolling, and you land on nothing — then go to bed having seen everything and witnessed none of it. Some Mondays the only cure is a dark room shared with strangers who made the same decision you did, which is that tonight was not going to be another night of the couch. Two Canadian horror obscurities share this bill, both out of the tax-shelter years when Ontario money chased American drive-in dollars and produced something stranger than either country intended. A funeral parlor with a basement nobody discusses. A creature picture patient enough to make you wait a long time before it shows you the thing. Neither streams anywhere worth having. Both arrive as actual 35mm prints, which is the whole point here — this is the last continuous repertory revival house in Los Angeles, and the reels are real reels. Quentin Tarantino bought the building in December 2007 to stop it becoming something else, and has kept one promise since: double features, on film, for as long as he is around to pay for them. The tradition itself goes back to May 1978. First feature at 7:30, second at 9:35. 7165 Beverly Boulevard.

Coming Soon

20 days away

The Others / The Orphanage

Oct 28, 2026 New Beverly Cinema, 7165 Beverly B…

Halfway through the second film someone in the row behind you will stop breathing properly, and you will hear it, because nobody in this building is looking at a phone. That is what a Wednesday in a revival house buys: an audience that came to be frightened together instead of alone on a couch with all the lights on. Two Spanish filmmakers, six years apart, both convinced that the most frightening thing in a house is a mother who is certain. One is about a woman guarding her children from daylight. The other is about a woman who returns to the building that raised her and begins counting. Neither needs a drop of blood. Both were made by directors who understood that dread is really a question of how long you are willing to hold a shot before cutting. Worth knowing the lineage: Guillermo del Toro produced the second picture, and its director later graduated to enormous disaster films — but this is the one where he learned how to make an audience wait. Both screen on 35mm, house policy since 2014. First film 7:30, second at 9:45. 7165 Beverly Boulevard, Los Angeles.

Coming Soon

21 days away

The Beyond / Pieces

Oct 29, 2026 New Beverly Cinema, 7165 Beverly B…

Fulci stopped pretending he cared whether a plot closed. He cared whether an image would follow you home, and The Beyond is where that became the whole method: a Louisiana hotel built over one of the seven gateways to hell, set pieces that flatly contradict each other, and a closing shot so bleak it lands like a door shutting from the outside. Then Pieces, a Spanish production whose tagline promised it was exactly what you think it is, which remains the most honest marketing of its decade, cut with the logic of a bad dream and scored like a daytime serial. These are not good films in the sense that phrase usually carries, and the crowd that turns up knows precisely what it came for, because half the pleasure is a full room laughing and flinching in all the wrong places at once. Both on 35mm, two nights before Halloween at the New Beverly on Beverly Blvd. Get there for 7:30 if you want both.

Previously at New Beverly Cinema 2

Happening Now

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Throne of Blood / Ugetsu

Today · Oct 7 New Beverly Cinema, 7165 Beverly B…

Film students talk about fog the way sommeliers talk about soil, and this is the double bill that explains why. Two Japanese masterpieces run back to back, and both use weather as a moral condition. Kurosawa moved Macbeth into feudal Japan and shot the forest until it stopped being scenery and started being fate, and the ending remains the most alarming thing anybody has ever accomplished with archery. Mizoguchi's Ugetsu follows two peasants who leave their wives to chase money and glory during a civil war and find something considerably worse, filmed in long unbroken takes that drift like somebody remembering rather than somebody watching. Seeing them in one sitting, on 35mm, in a room where several hundred people gasp at the same frame, is a completely different event from queueing them at home and pausing for snacks. Wednesday, October 7, first film 7:30pm and the second 9:50pm, on Beverly Boulevard. Go alone if you have to.

This Happened

Grizzly / The Manitou

Oct 5, 2026 New Beverly Cinema, 7165 Beverly B…

Somebody in your life keeps insisting the seventies were better and you have never once had the ammunition to argue back. Here is your evening. Grizzly is the one where a fifteen-foot bear works its way through a national park while the studio lawyers presumably explained the difference between this and a shark, and it commits to the bit with a sincerity nobody would risk now. Then the night gets genuinely strange. The Manitou is about a woman who grows a tumour on her neck that turns out to be a reincarnating four-hundred-year-old medicine man, and it ends, with total confidence, in outer space. Both screen on 35mm, which means the print carries scratches, the reel changes are audible, and the crowd cheers the splices instead of wincing at them. Monday, October 5 on Beverly Boulevard, first film at 7:30pm and the second at 9:30pm. Nobody streams these. That is rather the point of the room.

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